Advertisements

San Diego Comic Con 2017 — Trailer Roundup and Good Stuff

Holy heck there’s a lot of news coming out of Comic Con. It’s lucky Luke Miksa has your back with a roundup of the best stuff.

SDCC2017-Banner

Ready Player One

Based on the wildly popular novel by Ernest Cline, Ready Player One is set in a dystopian future where humanity now escapes the now-harsh reality by spending every waking moment in a virtual reality called Oasis; an adventure world filled to the brim with 80’s and 90’s nostalgia. Directed by Steven Spielberg — himself responsible a lot of that nostalgia first-hand — Ready Player One is shaping up to be one of the most anticipated movies of 2018. Between the Iron Giant and the DeLorean time machine, how many Easter eggs can you spot in this trailer alone?

 

Thor: Ragnarok

If you had any reservations at all about the direction Marvel’s Thor universe was headed, this trailer should rectify that. With an inspired choice of director in Taika Waititi, the neon-soaked, synth-laden trailer for Thor: Ragnarok appears to be the absolute business! October can’t arrive soon enough! Let’s have some fun!

 

(more…)

Advertisements

TV Review: GLOW Season 1 (2017) — An Easily Binge-able Show That Piledrives All Expectations

Luke Miksa loves wrestling. Did you know? He also loves great television, so let’s find out if GLOW is a match made in heaven.

GLOWbanner

GLOW is a largely fictional series based upon the short lived wrestling promotion from the 80’s: the Gorgeous Ladies of Wrestling. Ruth Wilder (Alison Brie, Community), a struggling actress based in Los Angeles, attends a casting call for a new television program, but Ruth quickly realises that this is no normal audition. The creative director (Marc Maron) informs everyone that they are auditioning for a new all-female wrestling program, siphoning off the surging mainstream popularity of professional wrestling in the 1980’s. They will ultimately become the stars of GLOW: the Gorgeous Ladies of Wrestling.

GLOW still 2

Probably as painful as it looks.

GLOW is a new Netflix exclusive series from some of the minds behind the hugely successful Orange is the New Black. It’s a comedy-drama ensemble set amongst the world of professional wrestling, and if anyone knows me at all knows that alone made this show an absolute must-see based on premise alone. The good news is that GLOW is sensational! It is oftentimes hilarious, heartfelt, sad, confronting, and triumphant all in a single episode. It’s an easy watch, with each episode cracking through its relatively short run-time leaving you wanting more. The cast characters really shine, and you will end up having your own favourites after these initial ten episodes are through.

(more…)

Review: Alien: Covenant (2017) — A Chest-Bursting Return to Form for the Xenomorphs

Luke Miksa finds out if Alien: Covenant has what it takes to return a long mediocre franchise to past glory.

Alien-Covenant

Following 2012’s disappointing Prometheus, director Ridley Scott returns to the well once again, continuing the origin story of the Alien franchise with Alien: Covenant; a series which began all the way back in 1979 with horror classic Alien, launching Scott’s career in the progress.

Alien Covenant crew 2

Not a spoiler: Most of these people die.

The year is 2104 — fifteen years since the events of Prometheus — and the colony ship Covenant is carrying two-thousand colonists and human embryos to the remote planet Origae-6. After a devastating neutrino storm hits the ship, the crew is woken from their stasis by the synthetic Walter (Michael Fassbender), who was overseeing the trip on its extended journey. The crew, including new captain Oram (Billy Crudup), scientist Daniels (Katherine Waterston), pilot Tennessee (Danny McBride), and security Lope (Demian Bichir), intercept a human transmission from a nearby planet, and decide to investigate the source. Once on the surface, the crew must begin a desperate escape when they find out that there are more dangers on the planet than first expected, but not before dealing with the source of the transmission: the wreck of an Engineer ship, which was piloted by Elizabeth Shaw and synthetic David from the Prometheus mission.

(more…)

Review: Guardians of the Galaxy Vol. 2 (2017) — The Most Fun You Can Possibly Have Watching A Movie, All Thanks To Marvel’s Unlikely Cosmic Heroes

The popular cosmic team from Marvel Studios is back, but can they replicate the surprise success from 2014? Luke Miksa finds out.

Guardians-of-the-Galaxy-vol

In 2014, we were introduced to Guardians of the Galaxy; a ragtag combination of obscure characters seemingly plucked from the most obscure Marvel comics title. That was then. Now, the Guardians of the Galaxy are a big deal. With characters like Rocket and Groot leading the way, beyond all expectations the Guardians became cultural icons and some of the most recognisable and popular characters in the Marvel Universe.

With the surprise factor no longer an option, Guardians of the Galaxy Vol. 2 now has the burden of high expectations. But is this a sequel that squanders the possibilities presented in the first instalment? Thankfully the answer is no: Guardians 2 is just as hilarious, just as exciting, and just as heartfelt the second time around.

Guardians of the Galaxy 2

The gang is back!

After the adventures of the first film, Peter Quill aka Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Drax the Destroyer (Dave Bautista), Rocket Raccoon (voiced by Bradley Cooper), and the newly pint-sized Baby Groot (Vin Diesel) are now known throughout the cosmos as the Guardians of the Galaxy. In exchange for their services, the dysfunctional team acquires Nebula (Karen Gillan), sister and rival of Gamora. With Nebula secured on board their spacecraft, the team now has to not only deal with the pursuing Yondu Udonta (Michael Rooker) and his team of exiled Ravagers, but the sudden appearance of Quill’s estranged father Ego (Kurt Russell) threatens the dynamic of our new favourite team.

(more…)

The Best Films of 2016

Luke Miksa welcomes 2017 with a look-back at the best cinematic treats of 2016.

I’m back!

Another year full of movies is now behind us. I saw some bad ones, and a whole bunch of mediocre ones. But they will be rightfully ignored, as I focus on the best, the funniest, the most action-packed, and dramatically satisfying films of the year. Let’s focus on the good stuff!

A lot can be said while analysing this list. Three of the top ten spots are owned by Disney (with more just on the outskirts), but I guess that just goes along with Disney’s dominant year at the box office. Another note is that three of my picks (including the top two) would easily pass the Bechdel Test, which is great for the growing diversity in Hollywood.

A lot more made the short-list, but the following class of movies made for a culling not taken lightly (Zootopia was a Disney movie with a Breaking Bad reference, for crying out loud!). Also, let’s collectively pour one out for Rogue One sadly missing the cut — the final 15 minutes were absolute ecstasy for a Star Wars fanatic.

Missed the Cut:

Zootopia, Keanu, Rogue One: A Star Wars Story, Green Room, Eight Days a Week, Edge of Seventeen, Lights Out

 

popstar-banner-mini

10. Popstar: Never Stop Never Stopping

There weren’t a whole lot of great comedies this year. Only the Key & Peele comedy Keanu came close (very close), but this spot ultimately belongs to the This is Spinal Tap style mockumentary from The Lonely Island, Popstar: Never Stop Never Stopping.

Popstar stars Andy Samberg as Connor4Real, a pop superstar in the vein of Justin Beiber, and follows the dramatic shifts in his professional and personal career. If you’re familiar with musical documentaries, you’ll definitely appreciate the subversive humour, but the stand-out is the catchy and hilarious soundtrack, which was to be expected with The Lonely Island calling the shots behind the scenes.

This was not a popular film — a box office disaster, all things considered — but I have the feeling that Popstar is a movie with real legs, destined to become a cult favourite.

(more…)

Review: Ghostbusters (2016) — Too Obsessed With the Past to Make a Decent Movie

At the risk of being labelled a ‘GhostBro’, Luke Miksa has feelings about the controversial Ghostbusters reboot.

ghostbusters banner

A reboot of the beloved sci-fi comedy blockbuster of 1984, director Paul Feig (Bridesmaids, Spy) presents a Ghostbusters for a new generation. When strange apparitions being appearing in New York, Erin Gilbert (Kristen Wiig) joins her old colleague Abby Yates (Melissa McCarthy) and her quirky new partner Jillian Holtzmann (Kate McKinnon), along with historical New York City expert Patty Tolan (Leslie Jones). Dubbed the Ghostbusters by the media, together the four women — plus their new space cadet assistant Kevin (Chris Hemsworth) — set about to foil a plot which will bring about the apocalypse, right on their doorstep.

"Ain't no bitches gonna hunt no ghosts"

“Ain’t no bitches gonna hunt no ghosts”

Surprisingly, Ghostbusters has become one of the most controversial films in recent years, and it’s mainly due to loyal fans of the original two films. A second sequel to Ghostbusters with the original cast has been in development hell for over twenty years, but with the death of Harold Ramis, the decision was made to completely reboot the series; a bitter pill to swallow for some die-hards. Things got worse when word came out that the busting of ghosts will now be done exclusively by a team of (gulp) women! This resulted in a veritable shit-show of online misogyny, including the first trailer being one of the most down-voted trailers in YouTube history (Look, it wasn’t a good trailer, but a quick look at the comment section will tell you the whole story).

But now the film has been released, which means it’s finally time to judge it on its merits, and not just prejudice and tears. And what’s the verdict? Unfortunately it’s not good.

Recent history has shown that the best way to reboot a franchise is to tie it in to the existing films, in whats known as a legacyquel; a cross between a distant sequel and a soft reboot (examples: Jurassic World, The Force Awakens, and Creed). This method seems to work, as it remains in the same universe that people are fond of, often with the older characters passing the torch to the new upstarts. But Ghostbusters bucks the recent — successful — trend, and we find ourselves with a hard reboot; a completely new universe where the events of the previous films don’t exist.

(more…)

Advertisements
%d bloggers like this: