The Best Films of 2018

Always late to the party, Luke Miksa runs down his favourite movies released in 2018.

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I know I always upload these things way too late to be relevant, but this time I have an actual medical situation, so I’ll excuse myself for being a number of months behind schedule (this time).

As always, due to the unexpected complexities of life, I have not seen as many movies released last year as I would have liked. Sorry Roma and A Star is Born.

Missed the cut:

Black Panther, Avengers: Infinity War, Incredibles 2, Upgrade, Overlord, Ralph Breaks the Internet, Searching, The Ballad of Buster Scruggs, Aquaman

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10. Game Night

Coming up first is a surprising choice in the unexpected quality of Game Night. With what appears on the surface to be a fairly run-of-the-mill feature comedy, is refreshingly full of some quite inventive laughs, and a plot that borderlines on caper.

The filmmaking team of John Francis Daly and Jonathan Goldstein have become a reputable brand in entertaining comedies (with recent successes including Vacation, Spider-Man: Homecoming, and the Horrible Bosses films), and you can add Game Night into the same basket. Jason Bateman and Rachel McAdams star, and while Bateman is in his element, the MVP is McAdams; for while she is not particularly known for her comic roles, she is the standout in an already hilarious cast.

Featuring on of this year’s best on-going gags involving Denzel Washington, Game Night is the best pure comedy film of 2018.

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The Best Films of 2017

Fashionably late! Luke Miksa presents his top ten movies of 2017.
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Reliably late as always (Sorry I’m Late is the name), it’s that time of the year to once again compile the best movies released in 2017.

I don’t want to spend much time on caveats, but it should go without saying that I clearly didn’t have a chance to see everything, but holy heck I tried my darndest!

It’s also worth mentioning the odd release schedules for Australian cinemas. Down under, we often get the big blockbusters the same time as the US market (sometimes even a day or two earlier due to weird time zone stuff), but the smaller releases are all over the place. For example, La La Land was technically a 2016 release in the US, but I’m pretty sure it didn’t hit our shores until 2017 (and I delayed viewing it until February 2018, and I don’t kid you when I say that if I had seen it in either 2016 or 2017 that it may have topped either list. I love La La Land so much).

But anyway, this is my house and these are my rules. Let’s begin.

Missed the Cut:

Hidden Figures, Kong: Skull Island, Guardians of the Galaxy Vol. 2, Wonder Woman, Spider-Man: Homecoming, The Lego Batman Movie, Dunkirk, Okja, Jim & Andy: The Great Beyond – Featuring a Very Special, Contractually Obligated Mention of Tony Clifton

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10. John Wick: Chapter 2

John Wick has a special place in my heart (it did make my list of 2014, after all), so word of a sequel had me plenty excited. More badass Keanu Reeves! More headshots! More close-quarter skirmishes! This is a burgeoning franchise I can totally get behind.

Little did I know of the immense universe building to happen in John Wick: Chapter 2. Not content with simply providing a unique, adrenaline filled world of gun-play and martial arts, returning director and former stuntman Chad Stahelski builds upon a community of secret assassins with a distinct moral code. Combine the returning cast with a strong ensemble of new players, and John Wick: Chapter 2 is about as much fun as you can have with an action movie.

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9. Baby Driver

Edgar Wright is one of the best filmmakers in the world. His Cornetto Trilogy starring Simon Pegg and Nick Frost are iconic, and Scott Pilgrim vs the World is totally underrated and a personal favourite.

Baby Driver is a kinetic caper, starring Ansel Elgort as Baby, a supremely skilled driver under the payroll of crime kingpin Doc (creepo Kevin Spacey), who uses his talents behind the wheel to ferry a rotating crew of robbers (including Jamie Foxx and Jon Hamm). Baby suffers from tinnitus, thus is always listening to music through an iPod. And here lies the genius of Wright, as Baby’s playlists are the soundtrack of the film, and the film’s stunt-driving and action scenes are all set in time to the music. It’s a musical with stunts instead of dancing! Baby Driver is so much fun and adds another winner to Edgar Wright’s impressive resume.

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San Diego Comic Con 2017 — Trailer Roundup and Good Stuff

Holy heck there’s a lot of news coming out of Comic Con. It’s lucky Luke Miksa has your back with a roundup of the best stuff.

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Ready Player One

Based on the wildly popular novel by Ernest Cline, Ready Player One is set in a dystopian future where humanity now escapes the now-harsh reality by spending every waking moment in a virtual reality called Oasis; an adventure world filled to the brim with 80’s and 90’s nostalgia. Directed by Steven Spielberg — himself responsible a lot of that nostalgia first-hand — Ready Player One is shaping up to be one of the most anticipated movies of 2018. Between the Iron Giant and the DeLorean time machine, how many Easter eggs can you spot in this trailer alone?

 

Thor: Ragnarok

If you had any reservations at all about the direction Marvel’s Thor universe was headed, this trailer should rectify that. With an inspired choice of director in Taika Waititi, the neon-soaked, synth-laden trailer for Thor: Ragnarok appears to be the absolute business! October can’t arrive soon enough! Let’s have some fun!

 

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Review: Guardians of the Galaxy Vol. 2 (2017) — The Most Fun You Can Possibly Have Watching A Movie, All Thanks To Marvel’s Unlikely Cosmic Heroes

The popular cosmic team from Marvel Studios is back, but can they replicate the surprise success from 2014? Luke Miksa finds out.

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In 2014, we were introduced to Guardians of the Galaxy; a ragtag combination of obscure characters seemingly plucked from the most obscure Marvel comics title. That was then. Now, the Guardians of the Galaxy are a big deal. With characters like Rocket and Groot leading the way, beyond all expectations the Guardians became cultural icons and some of the most recognisable and popular characters in the Marvel Universe.

With the surprise factor no longer an option, Guardians of the Galaxy Vol. 2 now has the burden of high expectations. But is this a sequel that squanders the possibilities presented in the first instalment? Thankfully the answer is no: Guardians 2 is just as hilarious, just as exciting, and just as heartfelt the second time around.

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The gang is back!

After the adventures of the first film, Peter Quill aka Star-Lord (Chris Pratt), Gamora (Zoe Saldana), Drax the Destroyer (Dave Bautista), Rocket Raccoon (voiced by Bradley Cooper), and the newly pint-sized Baby Groot (Vin Diesel) are now known throughout the cosmos as the Guardians of the Galaxy. In exchange for their services, the dysfunctional team acquires Nebula (Karen Gillan), sister and rival of Gamora. With Nebula secured on board their spacecraft, the team now has to not only deal with the pursuing Yondu Udonta (Michael Rooker) and his team of exiled Ravagers, but the sudden appearance of Quill’s estranged father Ego (Kurt Russell) threatens the dynamic of our new favourite team.

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Review: X-Men: Apocalypse (2016) — It’s the End of the World as we Know It, and I Feel… Fine?

Bryan Singer is back to direct his fourth X-Men film; X-Men: Apocalypse. Luke Miksa checks to see whether it stacks up.

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The year is 1983, ten years after the events of X-Men: Days of Future Past. Upon awakening after thousands of dormant years, the first mutant, the immortal En Sabah Nur, Apocalypse (Oscar Isaac), embarks on a plan to destroy humanity and remake it under his will. Charles Xavier (James McAvoy) and the X-Men must band together to face the cataclysmic force that is Apocalypse and his disciples of doom, the Four Horsemen: Storm, Psylocke, Angel, and Magneto — mutants lured by the charismatic allure of Apocalypse.

X-Men: Apocalypse is the sixth X-Men movie — ninth if you count spin-off films from Wolverine and Deadpool — and the fourth run at the helm from director Bryan Singer. Having practically pioneered the modern run of superhero films with 2000’s X-Men, Singer certainly has experience in films of this nature, but this really is his weakest effort with this franchise to date. Not to say that this film is bad, it honestly isn’t, but it just feels like a stale retread as opposed to advancing the X-Men films to the next level.

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As with most X-Men films, Apocalypse features many characters, probably too many by normal standards, but these films have always been about the large ensemble. Most major characters are actually well formed despite the sheer number of them. Their motivations are juggled reasonably well: senior characters like ‘Beast’ Hank McCoy (Nicholas Hoult), ‘Professor X’ Charles Xavier, and ‘Mystique’ Raven Darkholme (Jennifer Lawrence) get to continue on the paths set from prior films, with the ongoing tragedy of ‘Magneto’ Erik Lehnsherr (Michael Fassbender) a highlight thanks again to some solid output from Fassbender. But it’s also the fresh faces, the younger cast of ‘Cyclops’ Scott Summers (Tye Sheridan), Jean Grey (Sophie Turner), ‘NightCrawler’ Kurt Wagner (Kodi Smit-McPhee), and ‘Storm’ Ororo Munroe (Alexandra Shipp) showing promise for the direction of these younger versions of characters we know and love.

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Review: Fantastic Four (2015) — Fantastic Faux Pas: Defying the Odds to Become the Worst Fantastic Four Movie

Fantastic Four is back, and this time it’s serious. Luke Miksa reviews:

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Based on the popular Marvel Comics characters, Fantastic Four is another attempt at a big-screen adaptation for Marvel’s First Family. Directed by Josh Trank (Chronicle), Fantastic Four (Fant4stic if you’re an idiot) is a more serious take at the origin story of the super-team and follows a young Reed Richards (Miles Teller, Whiplash), a hyper-intelligent young man who is recruited into the “Baxter Foundation” and joins a team including Sue Storm (Kate Mara, House of Cards), Johnny Storm (Michael B. Jordan, Fruitvale Station), and Victor Von Doom (Toby Kebbell, RocknRolla). The team develop a transporter capable of inter-dimensional travel, but when the team, including Reed’s childhood friend Ben Grimm (Jamie Bell, Snowpiercer), encounter problems on “Planet Zero”, they return with their molecules altered, resulting in various powers and abilities which will change them forever.

Fantastic Four is a movie that has been plagued with well documented production problems. I shouldn’t be getting into on-set dramas while reviewing a film, but the squabbles between director Josh Trank and 20th Century Fox have unfortunately manifested into the finished film, which is a jumbled mess of ideas, tone, and plot. What we have with Fantastic Four is two movies. One being the directors vision: a serious scientific exploration into inter-dimensional travel combined with Cronenberg-esque body-horror. The second: an action based movie where the team gets together to stop a cataclysmic event. It’s obvious where the different visions intersect and the resulting mess is the worst-reviewed Marvel-based movie to date.*

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