As Zack Snyder‘s Man of Steel hit Australian home video this week, I got to reminiscing on how disappointed I was when I viewed it on its theatrical release.
I will gladly admit to being a tremendous Superman fan — possessive even — but I am generally not the kind of person to kick up a fuss when someone comes along and changes aspects to a long-standing character (especially a character with the 75-year legacy of Superman). Changes keep things fresh, and different artists are always going to have different perspectives and visions. I’m hip to this, and I enjoy seeing various interpretations.
I don’t need to warn you about MASSIVE SPOILERS from now on, do I?
The makers of Man of Steel made many changes: Perry White is black. Jimmy Olson is female. Lois Lane deciphers Clark Kent’s secret identity almost immediately. Superman is actually forced to kill as a last resort (which is kind of a big deal). All of these are fairly drastic changes, but I applaud them because they are either intriguing or they positively add to the narrative.
But there is still something that bugs me, and I’ve narrowed it down to this guy:

Oh, herro